只属于我们的一天
王祖蓝,蔡卓妍,黄德斌,汤怡,郭伟亮,谢宁,邓树荣,卫诗雅
HD
只属于我们的一天
王祖蓝,蔡卓妍,黄德斌,汤怡,郭伟亮,谢宁,邓树荣,卫诗雅
HD
晨光正好
蕾雅·赛杜,帕斯卡尔·格雷戈里,梅尔维尔·珀波,妮可·加西亚,卡米尔·勒班·玛丁斯,谢里夫·安杜拉,艾尔莎·盖迪,玛莎·康达科娃,凯斯特·洛夫莱斯,厄玛·扎姆帕
HD
东京塔2005
黑木瞳,冈田准一,松本润,寺岛忍,半田健人
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以吻之名2018
Ella Kweku,Paige Emerson,George Kopsidas,Ioannis Papazisis,George Kavgalakis,Devin Mills,迈克尔·安吉斯,Anna Tzanakaki
HD
海上花1986
张艾嘉,姚炜,鹤见辰吾,秦沛,樊少皇,吴大维,金彪,连晋,黄家驹,甄妮,杨凡
HD
惊弓之鸟2019
艾丽西亚·维坎德,丽莉·吉欧,小林直己,杰克·休斯顿,祐真琦琦,山村宪之介,克里斯塔尔·凯,佐久间良子
50年代-60年代初波兰电影学院派的经典作品之一,堪称与同时代意大利导演安东尼奥尼的《奇遇》相比,改编自Józef Hen在社会主义波兰时期被禁的小说。
In 1960 his second film NIKT NIE WOLA / NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.