38岁的伊丽卡
浅田美代子,平岳大,佐伯日菜子,黑田亚瑟,木内绿,菜叶菜,山崎一,洼冢俊介,山崎静代,小籔千丰,重松収,古谷一行,小松政夫,阿部百合子,冈本富士太,树木希林,真濑树里,Kaori Takeshita
HD
38岁的伊丽卡
浅田美代子,平岳大,佐伯日菜子,黑田亚瑟,木内绿,菜叶菜,山崎一,洼冢俊介,山崎静代,小籔千丰,重松収,古谷一行,小松政夫,阿部百合子,冈本富士太,树木希林,真濑树里,Kaori Takeshita
HD中字
分床合爱
Edoardo Leo,克劳迪亚·潘多尔菲,Daniele Silvestri,Valerio Lundini
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阿巴合唱团
HD
背起爸爸上学
赵强,江化霖,颜丹晨
HD
乐队
赵怡文,江雨晨,中野阳
HD
香草2025
娜塔莉亚·普拉森西亚,Paloma Petra,María Castellá,Daniela Porras,Aurora Dávila,Rosy Rojas,Fernanda Baca,Lola Ochoa
There is no way to write a "spoiler"---is there actually somebody somewhere who, ten minutes into this 1950's film, wouldn't know where it is going and will end up---since it is a strictly written-by-the-numbers corruption and redemption meller that finds: number 1, a doctor returns from the Korean War to his Pennsylvania mining hometown, (and 2) must choose between dedicating himself to treating the suffering poor (or 3) build himself a swank office and get rich by flattering wealthy women with imaginary ailments. Throw in elements no. 5,Lizabeth Scott as a rich, spoiled, twice-divorced woman with a lip stiffer than his, and number 6, Dianne Foster as a nurse bent on helping all mankind, and there are no surprises left, especially if one take note of the name of Irving Wallace among the writers, the title and Scott billed above Foster. The only surprise here is that this film wasn't from Universal-International and directed by Douglas Sirk.